Cerezo Moreno, Marta. Critical Approaches to Shakespeare. Shakespeare for All Time. UNED, 2017. (Ebrary, open access)

Deas, Robert. Manga Shakespeare: Macbeth.  (London:  SelfMadeHero, 2008). 

De la Concha, Ángeles (coord.). Shakespeare en la imaginación contemporánea. Madrid: UNED, 2012 (Ebrary, open access)

Hindle, Maurice. Shakespeare on Film (2dn edn). London: Palgrave, 2015. (Ebrary, open access)

Hodgdon, Barbara. "Katherina Bound; Or, Play(K)ating the Strictures of Everyday Life". PMLA 107.3 (1992): 538–553. (LION, open access)

A. Huang and E. Rivlin, Shakespeare and the Ethics of Appropriation. New York: Palgrave Macmillan, 2014. (Ebrary, open access)

Hutcheon, Linda, A Theory of Adaptation, Second Edition. Routledge, 2012. (open access)

Jackson, Russell, ed., The Cambridge Companion to Shakespeare on Film. Cambridge UP, 2000. (LION, open access).

Lanier, Douglas, ‘Shakescorp Noir’, Shakespeare Quarterly, Vol. 53, No. 2, Screen Shakespeare (2002), pp. 157-180. (LION, open access)

Sanders, Julie, Adaptation and Appropriation. Routledge, 2006. (Ebrary, open access)

Shakespeare, William. Hamlet (Editions recommended: Arden, Oxford, New Cambridge, Norton).

Shakespeare, William. Macbeth (Editions recommended: Arden, Oxford, New Cambridge, Norton).

Shakespeare, William. The Taming of the Shrew (Editions recommended: Arden, Oxford, New Cambridge, Norton).

Shaughnessy, Robert, ed., The Cambridge Companion to Shakespeare and Popular Culture. Cambridge UP, 2007. (LION, open access)

Storey, John. Cultural Theory and Popular Culture. Harlow: Pearson Longman, 2006 (Ebrary, open access). 

Strinati, Dominic. An Introduction to Theories of Popular Culture, second edition. London: Routledge, 2004 (Ebrary, open access).

Updike, John. Gertrude and Claudius, 2000.