A. Huang and E. Rivlin, Shakespeare and the Ethics of Appropriation. New York: Palgrave Macmillan, 2014.

Concha, Ángeles de la (coord.). Shakespeare en la imaginación contemporánea. Revisiones y reescrituras de su obra. Madrid: UNED, 2012.

Crowl, Samuel, Shakespeare Observed: Studies in Performance on Stage and Screen. Ohio UP, 1993).

Fischlin, Daniel, and Mark Fortier. "General Introduction." In Adaptations of Shakespeare: An Anthology of Plays from the 17th Century to the Present. Routledge, 2000. 1-22.

Fortier, Mark. "Shakespeare as 'Minor Theater': Deleuze and Guattari and the Aims of Adaptation." Mosaic 29.1 (March): 1-18.

Fortier, Mark. "Wild Adaptation." Borrowers and Lenders 3.1. Reprinted in Shakespeare and Adaptation. Ed. Susan Knutson. Playwrights Canada Press, 186-91.

García Barrientos, José-Luis. Cómo se analiza una obra de teatro. Ensayo de método. Madrid: Síntesis, 2017. 

Huang, Alexander C. Y. "Global Shakespeares as Methodology." Shakespeare 9.3 (2013): 273-90.

Huerta Calvo, Javier, ed. Historia del teatro español, Madrid: Gredos, 2 vols, 2003.

Kidnie, M. J. "Introduction: The Problem of Adaptation." In Shakespeare and the Problem of Adaptation. NY: Routledge, 2008. 1-10. (An important discussion of theoretical problems posed by Shakespeare and adaptation.)

Kirwan, Peter and Kathryn Prince, eds. The Arden Research Handbook of Shakespeare and Contemporary Performance. London: Bloomsbury, 2021.

Lanier, Douglas, "Shakespeare and Cultural Studies: An Overview." Shakespeare: The Journal of the British Shakespeare Association, Vol 2., No. 1&2 (June and December 2006): 228-48.

Lanier, Douglas, “Recent Shakespeare Adaptation and the Mutations of Cultural Capital,” Shakespeare Studies, January 1, 2010, 104-113.

Los siguientes libros no son de lectura obligatoria, sino recomendada especialmente para completar la bibliografía que será necesaria para redactar el ensayo final:

Massai, Sonia, Ed. "Defining Local Shakespeares." In World-Wide Shakespeares: Local Appropriations in Film and Performance. Routledge, 1995. 3-14. (Post-colonial approach; the introductory essay is very lucid on distinctions between local, global, and "glocal.")

Sanders, Julie. Adaptation and Appropriation, second edition. London: Routledge, 2015.

Shaughnessy, Robert, ed., The Cambridge Companion to Shakespeare and Popular Culture. Cambridge UP, 2007.

Worthen, William B. Shakespeare Performance Studies. Cambridge UP, 2014.

Worthen, William B. Shakespeare and the Authority of Performance. Cambridge UP, 1997.

Worthen, William B. Shakespeare and the Force of Modern Performance. Cambridge UP, 2003.