ANÁLISIS ANTROPOLÓGICO DE LAS PISTAS DE BAILE: POLÍTICA, GÉNERO Y ETNICIDAD EN MOVIMIENTO
Subject's code : 30020052
BIBLIOGRAFÍA BÁSICA
La bibliografía básica de esta asignatura está compuesta por 17 textos cuya lectura es obligatoria y que se encuentran disponibles en el curso virtual:
Kringelbach and Skinner (2012). The movement of dancing cultures. In Hélène N. Kringelbach and Jonathan Skinner (eds.) Dancing Cultures: Globalization, Identity and Tourism in the Anthropology of Dance: 1-25. London: Berghan Books.
Farnell, Brenda (1999). Moving Bodies, Acting Selves. Annual Review of Anthropology 28: 341-373.
St.John, Graham (2015) Introduction to Weekend societies: EDM Festivals and Event-Cultures. Dancecult 7(1): 1-14.
Kabir, Ananya (2014). Oceans, cities, islands. Sites and routes of Afro-diasporic rhythm cultures. Atlantic Studies: Global Currents 11(1): 106-124.
Madrid, Alejandro (2008). Dancing with Desire. In Alejandro Madrid (2008). Nor-Tec Rifa! Electronic Dance Music from Tijuana to the World: 169-188. Oxford: Oxford University Press.
Buckland, Theresa (2011) Fashionable Bodies and Society Dancing. In Theresa Buckland (2011) Society Dancing: Fashionable Bodies in England, 1870-1920: 3-12. London: Palgrave MacMillan.
Ronström, Owe (1999) It Takes Two-or More-to Tango: Researching Traditional Music/Dance Interrelations. In Theresa Buckland (ed.) Dance in the field. Theory, Methods and Issues in Dance Ethnography: 134-144. Hampshire: Palgrave MacMillan.
García, Luis-Manuel (2013) Doing Nightlife and EDMC Fieldwork. Dancecult: Journal of Electronic Dance Music Culture 5(1): 3-17.
Quintero, Ángel (2004) Los modales y el cuerpo. Clase, raza y género en la etiqueta del baile. En Ángel Quintero Rivera (2020) La danza de la insurrección. Para una sociología de la música latinoamericana:339-391. Buenos Aires: CLACSO.
Fraser and Muñoz (1997) Rebellions of Everynight Life. In Celeste F. Delgado and José Esteban Muñoz (eds.) Everynight life. Culture and Dance in Latin/o America: 9-32. Durham and London: Duke University Press.
Alisch, Stefanie and Siegert, Nadine. (2013) Grooving on the broken: Dancing War Trauma in Angolan Kuduro. In Lizelle Bisschoff and Stefanie Van de Peer (eds.) Art and Trauma in Africa: Representations of Reconciliation in Music, Visual Arts, Literature and Film: 50-68. London: I.B. Tauris.
Robinson, Danielle (2010). The Ugly Duckling: The Refinement of Ragtime Dancing and the Mass Production and Marketing of Modern Social Dance. Dance Research: The Journal for the Society of Dance Research 28(2): 179-199.
Jiménez, Livia (2019). African Nightclubs of Lisbon and Madrid as Spaces of Cultural Resistance. Open Cultural Studies 3: 264-275.
Llano, Isabel (2017). Symbolic Struggles on the Dancefloor in Barcelona: Cultural Identities and Different Experiences of Salsa Dancing. In Josep Martí and Sara Revilla (eds.) Making Music, Making Society: 139-166. Cambridge: Cambridge Scholars Publisher.
Davis, Kathy (2015) Performing Feminity, Performing Masculinity. In Kathy Davis (2015) Dancing Tango: Passionate Encounters in a Globalizing World: 100-126. New York: New York University Press.
Savigliano, Marta (2010) Notes on Tango (as) Queer (Commodity).Anthropological Notebooks 16(3): 135-143.
Wade, Lisa (2011) The emancipatory promise of the habitus: Lindy hop, the body and social change. Ethnography 12(2): 224-246.
