El/la estudiante interesadx en ampliar y profundizar sus conocimientos sobre la materia de esta asignatura puede consultar las referencias bibliográficas seleccionadas en la siguiente lista:

Bakka et al. (2020) (eds.) Waltzing through Europe. Attitudes towards Couple Dances in the Long Nineteenth-Century. Cambridge: Openbook Publishers.

Bhardwa, Bina (2013) Alone, Asian and Female: The Unspoken Challenges of Conducting Fieldword in Dance Settings. Dancecult: Journal of Electronic Dance Music Culture 5(1): 39-60.

Buckland, Theresa (1999) (ed.) Dance in the field. Theory, Methods and Issues in Dance Ethnography. Hampshire: Palgrave MacMillan.

Buckland, Theresa (2011) Society Dancing: Fashionable Bodies in England, 1870-1920. London: Palgrave MacMillan.

Browning, Barbara (1995) Samba: Resistance in Motion. Bloomington and  Indianapolis: Indiana University Press.

Citro, Silvia (2000) El análisis del cuerpo en contextos festivo-rituales: el caso del pogo. Cuadernos de Antropología Social 11: 225-242.

Davis, Kathy (2015) Dancing Tango: Passionate Encounters in a Globalizing World. New York: New York University Press.

Delgado, Celeste F. and José Esteban Muñoz (1997) (eds.) Everynight life. Culture and Dance in Latin/o America. Durham and London: Duke University Press.

Dugrand, Camille (2016) Politique de la Rumba Congolaise. Une musique entre subversion et révérance. La Découverte 5: 52-61.

Giurchescu, Anca (2001) The Power of Dance and its Social and Political Uses. Yearbook for Traditional Music 33: 109-121.

Giurchescu, Anca and Torp, Lisbet (1991) Theory and Methods in Dance Research: A European Approach to the Holistic Study of Dance. Yearbook for Traditional Music 23: 1-10.

Gunderson, Frank (2014) Rhumba Kiserebuka! Eboking Embodied Temporalities through Tanzanian Zilipendwa. The World of Music 3(1): 11-23.

Halliday, Aria S. (2020) Twerk sumn! Theorizing Black girl epistemology in the body. Cultural Studies 34(6): 874-891.

Hanna, Judith Lynn (1979) To Dance Is Human: A Theory of Nonverbal Communication. Austin: University of Texas Press.

Hanna, Judith Lynn (1988) Dance, sex and gender: signs of identity, dominance, defiance and desire. Chicago: Chicago University Press.

Harman, Vicki (2019) The Sexual Politics of Ballroom Dancing. Surrey: Palgrave MacMillan.

Hutchinson, Sidney (2014). Salsa World. A Global Dance in Local Context. Philadelphia, Pennsylvania: Temple University Press.

Jiménez, Livia (2019) From Angola to the World, from the World to Lisbon and Paris. How structural inequalities shaped the global kizomba dance industry. Poetics 75: 1-11.

Jiménez, Livia (2020) Kizomba beyond Angolan-ness and Lusofonia: The transnational dancefloor. Atlantic Studies Global Currents 17(1): 91-109.

Kabir, Ananya (2013) The Dancing Couple in Black Atlantic. In Emilia María Durán-Almarza and Esther Álvarez-López (eds.) Diasporic Women´s Writing of the Black Atlantic: 133-150. London: Routledge.

Kabir, Ananya (2020) Circum-Atlantic connections and their global kinetoscapes: African heritage partner dances. Atlantic Studies: Global Currents 17(1): 1-12.

Kaeppler, Adrienne L. (1991) American Approaches to the Study of Dance. Yearbook for Traditional Music 23: 11-21.

Kirkeggard, Annemette and Palmberg, Mai (2002) (eds.) Playing with identity in contemporary music in Africa. Uppsala: Nordiska Afrikainstitutet.

Koné, Yaya (2014) The Popular Movement of Coupé-Decalé. Anthropology of an Urban and Coastal Dance. Global Journal of Anthropology Research 1: 20-24.

Kringelbach, Hélène N. and Jonathan Skinner (2012) (eds.) Dancing Cultures: Globalization, Identity and Tourism in the Anthropology of Dance. London: Berghan Books.

Madrid, Alejandro (2008). Nor-Tec Rifa! Electronic Dance Music from Tijuana to the World. Oxford: Oxford University Press.

Malnig, Julie et al. (2009) Dialogues: Writing Dance. Dance Research Journal 41(2): 89-104.

Marion, Jonathan S. (2008) Ballroom culture and Costume in Competitive Dance. Bloomsbury Publishing.

Manuel, Peter (2009). Creolizing Contradance in the Caribbean. Philadelphia, P.A.: Temple University Press.

McMains, Juliet (2006) Glamour Addiction: Inside the American Ballroom Dance Industry. Middleton CT: Wesleyan University Press.

McMains, Juliet (2016) Hot Latin Dance: Ethnic identity and stereotype. In Anthony Shay and Barbara Sellers-Young (eds.) The Oxford Handbook for Dance and Ethnicity: 480-500. Oxford and New York: Oxford University Press.

Menet, Joanna (2020) Entangled Mobilities in the Transnational Salsa Circuit. The Esperanto of the Body, Gender and Ethnicity. London and New York: Routledge.

Pacini H. Deborah (2014) Urban Bachata and Dominican Racial Identity in New York. Cahier d´Études Africaines 54(216): 1027-1054.

Pietrobruno, Sheenagh (2006). Salsa and its transnational moves. Oxford: Lexington Books.

Quintero Rivera, Ángel (2009). Cuerpo y cultura. Las músicas “mulatas” y la subversión del baile. Madrid: Iberoamericana.

Quintero Rivera, Ángel (2020) La danza de la insurrección. Para una sociología de la música latinoamericana. Buenos Aires: CLACSO.

Rivera, Raquel Z., Wayne Marshall and Deborah Pacini (2009) (eds.) Reggaeton. Durham, NC: Duke University Press.

Royce, Anya Peterson (1977). The Anthropology of Dance. Bloomington: Indiana University Press.

Savigliano, Marta (1995) Tango and the Political Economy of Passion. Oxford: Westview Press.

Schneider, Britta (2013) Heteronormativity and Queerness in transnational heterosexual Salsa communities. Discourse & Society 24(5): 553-571.

Segalen, Martine (2005) Ritos y rituales contemporáneos. Madrid: Alianza.

Shipley, Jesse W. (2017) Transnational circulation and digital fatigue in Ghana´s Azonto dance craze. American Ethnologist 40(2): 362-381.

St. John, Graham (2004) Rave Culture and Religion. London: Routledge.

Steingo, Gavin (2016) Kwaito´s promise: music and the aesthetics of freedom in South Africa. Chicago and London: University of Chicago Press.

Steil, Laura (2011) “Realness”. Authenticiy, innovation and prestige among young danseurs afro in Paris. In Jason Toynbee and Byron Dueck (eds.) Migrating Music: 55-69. London: Routledge.

Vionnet, Claire (2022) An auto-ethnography of engagement through dance. Tsantsa 27: 78-93.

Washabaugh, William (1998) (ed.) The Passion of Music and Dance. Body, Gender and Sexuality. Oxford/New York: Berg

Waxer, Lise (2002). Situating Salsa: Global Markets and Local Meanings in Latin Popular Music. London: Routledge.