EL TEATRO DE SHAKESPEARE - (Cod.01465117)

Ver Todas Asignaturas

CONTENIDOS

PART 1 SHAKESPEAREAN CRITICAL HISTORY

UNIT 1. CRITICAL APPROACHES TO SHAKESPEARE: FROM BEN JONSON (1572/3-1637) TO CLEANTH BROOKS (1906-1994)

      1.1. The seventeenth century: Neo-classical criticism

      1.2. The eighteenth century: Editorial criticism

            1.2.1. Samuel Johnson (1709-1784)

      1.3. The nineteenth century: The Romantics

            1.3.1. Samuel Taylor Coleridge (1772-1834)

      1.4. The nineteenth century: The Victorians

            1.4.1. Edward Dowden (1843-1913)

            1.4.2. A. C. Bradley (1851-1935)

      1.5. First half of the twentieth-century

            1.5.1. The emphasis on poetry and language: Wilson Knight, Caroline  Spurgeon, Wolfgang Clemen

            1.5.2. The play as theatrical artifice: Harley Granville-Barker and Muriel C. Bradbrook

            1.5.3. The Historical Approach: Hardin Craig, Theodore Spencer and E.M.W. Tillyard

            1.5.4. New Criticism: Cleanth Brooks (1906-1994)

UNIT 2. CRITICAL APPROACHES TO SHAKESPEARE: SECOND HALF OF THE TWENTIETH CENTURY

      2.1. Structuralism

      2.2. Post-Structuralism and Deconstruction

      2.3. New Historicism and Cultural Materialism

      2.4. Gender Studies

            2.4.1. Feminist Studies

                2.4.1.1. Feminism and Psychoanalysis

            2.4.2. Gay Criticism

      2.5. Postcolonialism

PART 2 THE SHAKESPEAREAN STAGE: HAMLET AND MACBETH

UNIT 3. HAMLET

      3.1. Hamlet: Historical and Literary Contexts

      3.2. Critical Approaches to Hamlet

      3.3. Textual analysis

UNIT 4. MACBETH

      3.1. Macbeth: Historical and Literary Contexts

      3.2. Critical Approaches to Macbeth

      3.3. Textual analysis