Además de la bibliografía concreta en relación con las distintas Unidades del curso, los siguientes títulos son sumamente interesante para amplar conocimientos y para investigar en algún apartado más concretamente dentro de los temas tratados en el curso.
Es una bibliografía que se puede consultar para realizar el trabajo de fin de curso, pero, desde luego, es un excelente material para cualquier alumno o alumna interesada/o en realizar un TFM relacionado con los contenidos de esta asignatura:
General Works of Reference
Altman, Rick. 1997. A Theory of Narrative. New York: Columbia University Press, 2008.
Cardwell, Sarah. Adaptation Revisited: Television and the Classic Novel, Manchester: Manchester University Press, 2002.
Stadler, Jane, Kelly McWilliam. Screen Media (Analysing Film and Television). Australia: Allen and Unwin, 2009.
Thompson, Kristin. Storytelling in Film and Television. Cambridge, Massachussets and London: Harvard University Press, 2003.
Thorburn, David, Henry Jenkins (eds). Rethinking Media Change (The Aesthetics of Transition). Cambridge, Massachussets, London: The MIT Press, 2003.
Williams, Raymond. The Long Revolution. Parthian Books, 2011. Williams, Raymond. “A Lecture on Realism.” Afterall: A Journal of Art, Context and Enquiry, Issue 5 (2002), 105-115.
Williamson, Jennifer E., Jennifer Larson and Ashley Reed (eds). The Sentimental Mode (Essays in Literature, Film and Television). Jefferson (North Carolina): McFarland and Company, Inc., 2014.
Film/Literature
Bordwell, David. Poetics of Cinema. New York: Routledge, 2007.
Corrighan, Timothy. Film and Literature (An Introduction and Reader). Routledge, 2011.
Elliott, Kamilla L. Rethinking the Novel/Film Debate, Cambridge, Cambridge University Press, 2003.
Stam, Robert. Literature Through Film. John Wiley and Sons, 2004.
TV/Literature
Allrath, Gabi, Marion Gymnich (eds). Narrative Strategies in Television Series. New York: Palgrave Macmillan, 2005.
Bourdieu, Pierre. On Television. Trans. Priscilla Parkbust Ferbuson. New York: The New Press, 1996.
Brundson, Charlotte, Julie D’Acci, Lynn Sigel (eds). Feminist Television Criticism (A Reader). Oxford and New York: Oxford University Press, 1997.
Caughie, John. Television Drama (Realism, Modernism and British Culture). Oxford and New York: Oxford University Press, 2000.
Caughie, John. “Adorno’s Reproach: Repetition, Difference and Television Genre.” Screen 32 (1991), 127-153.
DeFino, Dean J. The HBO Effect. London and New York: Bloomsbury Academic, 2014.
Edgerton, Gary, Brian G. Rose. Thinking Outside the Box (A Contemporary Television Genre Reader). Lexington: The University Press of Kentucky, 2005.
Edgerton, Gary, Jeffrey P. Jones. The Essential HBO Reader. Lexington: The University Press of Kentucky, 2008.
Elsaesser, Thomas, Jan Simons, Lucette Bront (eds). Writing for the Medium (Television in Transitions). Amsterdam: Amsterdam University Press, 1994.
Fiske, John. Television Culture (2nd edn). London and New York: Routledge Classics, 2010.
Jacobs, Jason, Steven Peacock. Television Aesthetics and Style. London, New Delhi, New York and Sydney: Bloomsbury, 2013.
Jenner, Mareike. Netflix and the Re-Invention of Television. Cambridge: Palgrave Macmillan, 2018.
Kelleter, Frank. Media of Serial Narrative. Columbus: The Ohio University Press, 2017.
Lavery, David (ed). Reading the Sopranos. London and New York: IB Tauris, 2006.
Leverette, Marc, Brian L. Ott, Cara Louise Buckley. It’s Not TV (Watching HBO in the PostTelevision Era). New York and London: Routledge, 2008.
Mittel, Jason. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press, 2015.
Stuart, Sarah Clarke. Literary Lost (Viewing Television Through the Lens of Literature). London: The Continuum International Publishing Group, 2011.
Williams, Raymond. 1974. Television (Technology and Cultural Form). London and New York: 2003. Williams, Raymond. Writing in Society. London: Verso Edition, 1985.
