Además de la bibliografía básica detallada en el apartado anterior y de la que puede encontrarse utilizando los buscadores de la Biblioteca de la UNED, se recomiendan las siguientes fuentes (ediciones impresas) como bibliografía complementaria, de consulta opcional. Se presentan agrupadas por unidades o bloques temáticos.

Unidad 1: “Preliminary Questions”

Aroui, Jean-Louis. Towards a Typology of Poetic Forms: From Language to Metrics and Beyond. John Benjamins, 2009.

Fabb, Nigel. Language and Literary Structure: the Linguistic Analysis of Form in Verse and Narrative. Cambridge UP, 2002.

Herbert, Trevor. Music in Words. A Guide to Researching and Writing About Music. Oxford UP, 2009.

Hobsbaum, Philip. Metre, Rhythm and Verse Form. Routledge, 1996.

Sher, Stephen Paul. Essays on Literature and Music (1967-2004). Edited by Walter Bernhart and Werner Wolf. Rodopi, 2004.

Walton, Kendall. “Thoughtwriting – in Poetry and Music.” New Literary History, vol. 42, no. 3, 2011, pp. 455-476.

Unidad 2: “Poetry and music in Medieval and Renaissance England”

Bickford Jorgens, Elise. The Well Tun’d Word. Musical Interpretations of English Poetry, 1597-1651. Minnesota State UP, 1982.

Fischlin, Daniel. “Sounding Shakespeare: Intermedial Adaptation and Popular Music” OuterSpeares: Shakespeare, Intermedia and the Limits of Adaptation. Edited by Daniel Fischlin, University of Toronto Press, 2014, pp. 257-289.

Ingham, M. A. “‘The true concord of well-tuned sounds’: Musical Adaptations of Shakespeare’s Sonnets”. Shakespeare, vol. 9, no. 2, pp. 220-240.

Sanders, Julie. Shakespeare and Music. Polity Press, 2007.

Unidad 3: “Literature, opera and musical theatre”

Bordman, Gerald. American Musical Theatre: A Chronicle. Oxford UP, 1986.

Cooper, John Xiros, editor. T. S. Eliot’s Orchestra. Critical Essays on Poetry and Music. Garland, 2000.

Crawford, Richard. “Where Did Porgy and Bess Come from?” Journal of Interdisciplinary History, vol. 36, no. 4, 2006, pp. 697-734.

Herrero, Brian Eugenio. “Compiling West Side Story’s Parahistories, 1949-2009”. Theatre Journal, vo. 64, no. 2, 2012, pp. 231-247.

Morra, Irene. Twentieth-Century British Authors and the Rise of Opera in Britain. Ashgate, 2007.

Noonan, Ellen. The Strange Career of Porgy and Bess. Race, Culture and America’s Most Famous Opera. The University of North Carolina Press, 2012.

Unidad 4: “Popular music and poetry”

Bonner, Pat E., Sassy Jazz and Slo’ Draggin’ Blues: Music in the Poetry of Langston Hughes. Peter Lang, 1996.

Frith, Simon. Popular Music. Critical Concepts in Media and Cultural Studies. Routledge, 2004.

---, editor. Performing Rites. Evaluating Popular Music. Oxford UP, 2002.

González de Ozaeta, Mara. “‘How Many Times…’: Rhetoric and Aesthetic Qualities of Repetition in Dylan’s Song ‘Blowin’ in the Wind’”. JACLR: Journal of Artistic Creation and Literary Research, vol. 4, no. 1, 2016, pp. 28-40.

Middleton, Richard. Reading Pop: Approaches to Textual Analysis in Popular Music. Oxford UP, 2000.

Moore, Allan F., editor. Analyzing Popular Music. Cambridge UP, 2003.

O’Neil, Mary Anne. “Leonard Cohen, Singer of the Bible”. Cross Currents, vol. 65, no. 1, 2015, pp. 91-99.

Rollason, Christopher. “No Complete Unknown – the Saga of Bob Dylan’s Literature Nobel”. The Grove. Working Papers on English Studies, no. 23, 2016, pp. 131-143.

Tracy, Steven C. Langston Hughes and the Blues. University of Illinois Press, 2001.